Standard Notation
Counting
Charts
Tablature
Practicing
Stringing and Tuning
Playing Techniques
Intervals
- Minor Second
- Major Second
- Minor Third
- Major Third
- Perfect Fourth
- Augmented Fourth / Diminished
Fifth / Tritone - Perfect Fifth
- Minor Sixth
- Major Sixth
- Minor Seventh
- Major Seventh
- Octave
- Minor Second
(Harmonic) - Major Second
(Harmonic) - Minor Third
(Harmonic) - Major Third
(Harmonic) - Perfect Fourth
(Harmonic) - Augmented Fourth
/ Diminished Fifth / Tritone (Harmonic) - Perfect Fifth
(Harmonic) - Minor Sixth
(Harmonic) - Major Sixth
(Harmonic) - Minor Seventh
(Harmonic) - Major Seventh
(Harmonic) - Octave (Harmonic)
- Figure 11.3
- Practice 1
- Practice 2
- Practice 3
Major Scale
Major Scale Patterns
Chord Construction
- C Major (Figure 16.2)
- C minor (Figure 16.2)
- C diminished (Figure
16.2) - C Augmented (Figure
16.2) - Csus2 (Figure 16.2)
- Csus4 (Figure 16.2)
- C Major (Figure 16.3)
- A Major (Figure 16.3)
- G Major (Figure 16.3)
- E Major (Figure 16.3)
- D Major (Figure 16.3)
- A minor (Figure 16.3)
- E minor (Figure 16.3)
- D minor (Figure 16.3)
- Practice 1
- Practice 2
Diatonic Harmony
Determining the Key
Triads
Seventh Chords
Chord Extensions
Modes
Mode Patterns
Arpeggios
Voice Leading
Pentatonic Scales
Blues Forms
Below are a couple 12 bar blues backing tracks.